Showing posts with label Tamil Movie Reviews. Show all posts
Showing posts with label Tamil Movie Reviews. Show all posts

Inidhu Inidhu Movie Review

Friday, August 20, 2010

Cast: Reshmi, Aadith, Gia umar, Narayan, Sharran, Benaas, Vimal
Director: K.V. Guhan
Cinematographer: K.V. Guhan
Producer: Prakashraj
Banner: Duet Movies
Music Director: Mickey J. Meyer

It’s a promise well-kept! If you’ve paid attention to all the promo activities for the movie, you already know producer Prakashraj says Inidhu Inidhu is an emotional movie that will remind you of your college days. And if you’re in college right now, there’s a lot about the movie that rings true. That’s what really makes Inidhu Inidhu (remake of the Telugu hit Happy Days) an entertainer worth watching.

“I just wanted it to be a peek into the college life of a bunch of kids,” says Prakashraj, and that’s precisely what it is. Nothing more and in no way less.

What is it about?
The story starts on Day 1 of college. Seven teenagers from varying backgrounds take the big step – out of school and into college – with their personal reservations and expectations. Each character is sketched in a different hue. Sugary sweet Madhu, a typical boy next door Sidhu, tomboy Appu, gal-crazy Vimal, radically bold Sangitha, reserved and studious Sharan, and do-gooder nerd Arvind aka Tyson. Chance brings them together on the very first day, and thus begins a fluctuating friendship with ups and downs, continuing for the next four years of their college lives. A feel-good movie through and through, so we know the obstacles will clear away sooner or later.

From scene one, you know who’s meant for who; it’s only a matter of time before the characters realize it. Meantime, it’s clean fun and mild twists.

Arvind’s the only one in the gang without a gal. But why? Because he’s got his heart set on a senior gal, Shravs, which his seniors are unable to digest! But even before the gang is formed, they meet their seniors for the tradition: ragging. Arjun, the senior who lays his eyes on Madhu and fixates on her, is one good-looking bad boy! Had he had not been quite the obsessive senior, Madhu may have even melted in his arms! But that’s another imaginary line altogether. By irritating her and eventually getting slapped by Siddhu, Arjun primarily serves to bring Madhu and Siddhu together. This is essentially the first turning point in the film, after the characters have been introduced and their friendship established.

Obviously the slighted senior wants revenge. He gathers a few cronies and one night, when the four junior boys are returning from Madhu’s birthday party, they strike. Siddhu, Arvind and Vimal get a sound beating. Sharan escapes because one of the seniors is Sangitha’s brother. We see that Sharan is not a friend to be trusted in one’s hour of need. The beaten junior boys decide to take up the issue with the management, but the student body leader suggests a T20 match to solve the differences. We all know who wins, so the ragging stops.
What follows? More scenarios familiar to college students – a trip out of town, the first kiss, crush on the prettiest ma’am on the block, exams, tiffs over the results, betrayal in love, betrayal in friendship and so on. How the gang members settle their differences, endure separation and then get back together is what the rest of the story is about – ending exactly on the eve of their farewell, leaving it to us to figure out the rest. It’s just like Prakashraj promised, a peek and no more.

The Performance
One character that truly makes an impact is Arvind, the ultimate friend one can meet at college. His character – the innately brilliant kid, who doesn’t need to study to top the class – is probably the best-developed in the movie. But that’s not the impressive part about him. It’s the unconditional way he loves and cares for his friends that really moves you. Another interesting aspect to his character is the way he loves and adores Shravs. His is a romance doomed from the beginning, and yet the childlike way he pursues her is beautifully brought out. Arvind may not be the hunk on the block, but he truly is the sweetest guy around.

One character that lacks depth is Sangitha. While the story focuses on her lover Sharan, it does not develop her character. We figure out that Sharan is the guy who will sell out his buddies to save himself, but no matter what anyone says, he loves and trusts his girl. But Sangitha and her reason for being the way she is, her attitude towards the gang, her feelings for Sharan… these are not dealt with enough, making her character shallow and unmemorable.

The Music
Music is by Mickey Meyer, who scored the music for the original (Happy Days) as well. He has retained a similar style of music in Inidhu Inidhu – leaning towards melody. The tracks ‘Inidhu Inidhu’ and ‘Vaazhkai Oru’ are sure faves of melody lovers. ‘Inbam Ethirilae’ is a peppy number dedicated to Michael Jackson. The stars have even tried to emulate the late Pop Icon in their dance; since it’s a tribute, we refrain from criticism!

The Technique
In terms of direction and cinematography, K.V. Guhan has done a fab job in this very honest film. Without trying to outdo himself or prove a point, he has taken a lovely story and made an entertaining movie out of it, one that will have a very personal impact on audiences. Every person is bound to react to the movie in his or her own way, relating to certain characters or scenes more – which is the biggest success of the film.

Cinematography is picture perfect. The colours and lighting enhance the general cheery and youthful mood of the film.

As a producer, Prakashraj has once more brought out a quality piece of art. It may not be as touching as Mozhi or as moving as Abiyum Naanum, but it certainly has charm of its own – one that is sure to sing to your soul, bringing forth happy memories.
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moscowin kaveri review

Friday, July 30, 2010

Production: D. Ramesh Babu
Direction: Ravi Varman
Star-casts: Rahul, Samantha, Harshvardhan, Boys Manikandan, Santhanam, director Seeman and others
Music: Tamman
Lyrics: Vairamuthu
Cinematography: Ravi Varman
Editing: Anthony
Art: Thotta Tharani
Stunt: Kanal Kannan
Choreography: Kalyan
Cinematographers rising with a new avatar as filmmakers have been considerably successful. Say for instance Balu Mahendra, Santhosh Sivan, Thankar Bacchan and many more. The latest to join the bandwagon is cinematographer Ravi Varman. The definitions of his title ‘Moscowin Kaveri’ was interesting and had kept us high on expectations. It was all said to be focalizing on the changing perception of love by contemporaneous youth cohorts working in IT sectors.

But Ravi Varman scatters away from this point and comes up with a film that is so flimsy, weak and uninteresting.

The egoistic conflicts between a guy and gal have been delineated from ancient ages of Tamil cinema. It’s a must understand situation for all filmmakers that it isn’t something that popped up because of emerging IT era.
First 20mins into the film, you’re sure to wriggle your heads on what’s going on. Maybe, the intermission point drops a second thought on walking out. The first half (45mins) doesn’t even establish the basic plot. Irrelevant segments and disorder narration are sure to get us graveled.

The film’s central characters Moscow (Rahul) and Kaveri (Samantha) are like poles standing apart on every aspect. So silly to see the same old pettifoggeries ‘“ I want to get the rooms painted my favorite colors; I want to take rest, I don’t like your food etc’¦etc’¦ The difference of opinions and contradictory views leads to their alienation. Oops! Within next 15mins before climax a convict (Harshvardhan) wanted for several murder cases breaks into their house confining them as hostages. A police officer, whose wife and baby were killed by the same person, is on the mission of trapping him.

Nothing to blame on the story as even a simple tale can be polished well with a nitty-gritty screenplay. But Ravi Varman seems to have gone astray as the film doesn’t get a proper shape. Ravi Varman’s visual pictorials are splendidly done and there’s nothing to blame on that.

Over-graded colors and unwanted props in the frame like bunches of fruits, colorful elements does make things artificial. Thotta Tharani’s art work is fantastic while Anthony’s rookie editing could have been avoided.

Newcomer Rahul looks cute and has a great way to go. In few places, he seems to have imitated Madhavan’s style of dialogues while Samantha looks beautiful. Y. Gee. Mahendran’s son Harshvardhan could have chosen a good script and challenging role. His character is so unrealistic and blames Ravi Varman for that. Santhanam’s part during second half makes the film going at mediocre while ‘Boys’ Manikandan doesn’t get prominence and Seeman’s cameo role is good.

Technically, the songs by Thaman are nice and lyrical lines by Vairamuthu are appreciable.

On the whole, ‘Moscowin Kaveri’ runs short off a good script and gripping screenplay. The last 20mins of the film has some interesting moments, but an ordinary climax creates aversion amongst audiences.

What works: Music, Santhanam, good looking lead actors

What doesn’t work: Story, confusing screenplay, direction, editing’¦

Verdict: The dried rivers
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MADHARASAPATTINAM MOVIE REVIEW

Friday, July 9, 2010

Cast: Arya, Amy Jackson, Nassar, Cochin Haneefa, Bala Singh
Director: Vijay Anand
Producer: Kalpathi S Aghoram
Music Director: G V Prakash Kumar
Firstly director Vijay’s attempt of making a different cinema has to be appreciated. There are some changes happening over the Tamil Cinema as romantic films are being made on different lines that are more experimental as well. Now set in backdrops of before independence period,
Madharasapattinam is a different cinema with some good performances of actors. But screenplay is more dragging at duration of 2.40hrs.

The story starts in London with old age Amy on her death bed wanting her family members to visit Chennai. As the journey starts, Amy’s flashback too commences thereby letting us the secret behind her visit to India, especially Chennai. We get to know that Amy (Amy Jackson),

daughter of British Governor was in love with a Tamil Dhobi (Aarya) and they were separated by fate. The next couple of hours is like revisiting the ancient Chennai with its backdrops and a poignant love story as the main line. Towards the climax, there awaits the most surprising, eyes soaking sequence as the audiences would be puzzled will Amy meet her old Indian boyfriend.

The major plus of this film is the camera work by Nirav Shah and art work by Selvakumar. Musical score by G.V. Prakash is passable and the song Vaama Duraiyamma is good. The British girl Amy Jackson is so beautiful as she will transfix you and has performed well and Aarya too does a great job with his body language and acting skills. The other actors like Poi Solla Porom fame Omar and late actor Haneefa along with Nasser have done justice to their roles.

The first half is very lengthy and audience may be more restless as the major portions are in English dialogues. The pace starts at 20mins after second half.

The film can be watched for the attempts of Vijay on bring the old Madharasapattinam.
RATING: 3/5
READ MORE - MADHARASAPATTINAM MOVIE REVIEW

Singam – Movie Review

Friday, May 28, 2010

It’s really been a very long time that our movie buffs enjoyed watching a good film. With most of this year’s releases turning to be mere disappointments, Surya’s Singam stands out as a mind-boggling entertainer. Aye! The duo Surya-Hari makes it on for a successful hat trick with Singam as the film proves to be an excellent showpiece.

To be precise, you wouldn’t actually agonize that you have spent 2.5hrs keeping an eye on this film. Hari has penned such a screenplay, which has the right mix of action, fun, frolic, emotions and romance. Surya doesn’t try to touch the lines of typical mass heroes by uttering loud punch dialogues and bashing down hundreds of men at the same time. Of course, there are more action sequences that have logical factors and are sure to win your appreciations.

Set in the backdrop of Nellore, a small town, the film revolves around inspector Durai Singam (Surya), who joined the service incisively because of his father’s wish. He settles every dispute in town patiently with his gentle talks. Then comes Kavya (Anushka), a city girl on vacation who promptly falls in love with him. Everything seems to be marked by good fortune until Mayil Vaaganam (Prakash Raj) comes across Durai Singam. As they lock horns, things take a different turn with second half keeping everyone on the edge-of-seats.

Kudos to director Hari for churning out such a successful commercial entertainer, he has overshadowed all his previous records with this film. Doubtlessly, Singam can be adjudged as a better show than his yesteryear film Saamy for its interesting plot prevailing all throughout the show. Although, it nearly takes an hour to establish the characters and the conflicts, the voltage peak after intermission trivializes such minuses.

On performance levels, Surya is outstanding with his flawless performance. Even during scenes, where he hops up and down doing goofy stunts, things turn out to be incredulously good. That’s all because of his charismatic appeal. His proficiency to emote with the right feel gains him more acceptance as a mass hero.

Well for Anushka, it’s the best film as she gets more footage. Thanks to Hari, for utilizing her potential to a greater magnitude unlike other filmmakers, who just sign her for glamorous attributes. Vivek’s comedy tracks are really enjoyable but can be better if he avoids his double-entendres. It’s obvious that he has been coming up with similar shows from his previous films. Radha Ravi, Nasser and Manorama have played their roles well. Prakash Raj is simply outstanding as he gets a powerful role to perform after his magnum opus Ghilli. For sure, this will be one of the greatest milestones in his career.

Just watch out for his performance during the penultimate sequences and while playing the fool with Surya on the chase, he is just superb. Devi Sri Prasad strikes with pleasing melodies as almost all the songs have been tuned out well. Especially, the numbers ‘Kadhal Vandhale’ and ‘En Idhayam’ wins hands down.

Cinematography and editing have been put to use with the best results as these technical arenas add momentum to the screenplay. Hari deserves a special mention for establishing brilliant characters as even the minor roles have their importance. Hats off to production designers as they have perfectly managed to complete such a brilliant film within such a short span of time, Avoidance of unnecessary expenses makes the film look sleek which is commendable.

Singam is sure to be one of the best top-drawers of 2010 and the producers will surely be elated as it brings them profits to unexpected levels.

Banner: Sun Pictures, Studio Green, Big Pictures

Production: K.E. Gnyanavel Rajan, Kalanidhi Maaran

Direction: Hari

Casts: Surya, Anushka, Prakash Raj, Vivek, Nasser, Manorama, Vijayakumar and others

Music: Devi Sri Prasad

Verdict: Excellent piece of work
Rating: 4/5
READ MORE - Singam – Movie Review